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Justin Sau
Justin Sau
- Culture Section Editor 2024
- Hong Kong, SAR
Born in 2007, Justin studies in Hong Kong at the HKIS. Fluent in English and Mandarin, he is interested in journalism, English literature, history, and sports.
Justin joined Harbinger’s Magazine in 2023 as a contributor, writing predominantly about culture. In 2024, he took over the Culture section of the magazine.
Edited by Justin:
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January 31, 2025
Taylor Swift deserved the top spot at Billboard. Period
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January 17, 2025
Classics vs. clichés: The lost art of love in literature
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January 10, 2025
Exploring Nepal through its tradition of multiple genders and matriarchal values
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December 12, 2024
‘I have an obligation, to speak for them’: My conversation with a Holocaust survivor
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November 29, 2024
Why Speak No Evil 2024 fails to outshine the original
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November 29, 2024
Why we should lose the stigma around gap years
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November 22, 2024
How I dived into the heart of American capitalism from a theatre seat
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November 14, 2024
Teaching English to fellow Tanzanians has given me fulfilment
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November 14, 2024
Online vs reality: Bali without the lens of social media
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July 04, 2024
Can traditional Chinese opera survive in pragmatic Singapore?
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June 20, 2024
Alcohol, emotions and swearing: Five things I’ve found surprising about Denmark
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June 13, 2024
See you later, space cowboy…
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May 23, 2024
Video games are the new way to experience stories
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May 09, 2024
Are NBA referees killing the game of basketball?
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May 02, 2024
Hollywood, please stop making movie musicals!
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April 25, 2024
An adventurous meditation on love soaked with Italian magic –La Chimera review
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April 18, 2024
Esports is a sport. Period
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March 08, 2024
Dune: Part Two achieves the impossible, delivering the grandest space opera to date
Written by Justin:
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January 24, 2025
I am entertained, but I am not impressed
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January 03, 2025
Is The Wild Robot the best animated movie of 2024?
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December 12, 2024
Best of 2024: Five must-read articles from the Culture section
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October 31, 2024
What I found retracing Steinbeck’s steps in The Grapes of Wrath
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September 19, 2024
Would you trade Georgia for Nevada? The game of chess behind the US election
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August 15, 2024
Chili, half-smokes, and history: Interviews in DC’s greatest landmark
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July 11, 2024
A Japanese volleyball film that’s too fast for its own good
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July 11, 2024
Day 1 of the NATO Summit: support for Ukraine and Biden’s redemption
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June 27, 2024
The creation and evolution of Superman
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June 06, 2024
Nineteen Eighty-Four: past, present and future
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May 23, 2024
Teen hero returns for a second helping of heavy-hitting action and powerful emotions
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March 15, 2024
A medium for kids? Why we should award more Oscars to animated films
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February 09, 2024
‘Never-ending search for the snooze button’. Can AI replace humans in writing poetry?
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January 12, 2024
Has the movie industry transformed into a risk-averse machine?
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November 24, 2023
An unexpected ally: how social media could revitalize reading culture
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November 10, 2023
Dust Unto Dust. On my 50th birthday, the only sound from the Ferris wheel will be the dirge of rusty gears
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August 13, 2023
Contested artefacts from the British Museum: 7 things you need to know
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August 11, 2023
Titanic sub highlights need for more ocean exploration, not less
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August 08, 2023
"Proportionate response to disastrous decision" - Greenpeace defends controversial protest
© 2025 The Oxford School for the Future of Journalism
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